Agathiyar’s blessings of Aarooda Yantra and its benefits

Author: தோழி / Labels: ,

In the previous post, we have seen introduction about Agathiyar’s aaroodam which is taken from the book “Agathiyar 12000”. Today we will discuss about structure of the yantra used for telling this aarooda technique and also the benefits of the first five numbers.


The figure shown above is the yantra given by Agathiyar for foretelling method and is prepared as per the instruction given in Agathiyar’s song. It may be looking very simple but it encloses major power within it. This most powerful yantra should be made on silver or copper plate. Already I discussed the method of making the yantra and interested reader can have a glance at it in the older posts.

Let us see the interpreted hidden meaning for the first five numbers.

௧. (01) வந்தால்.. (if 01 comes..)

ஓங்கார பிரணவத்தி னுதவியாலே
ongaara piranavaththi nuthaviyaalae
ஓதிடுவே னாரூட உண்மைதன்னை
oathidivae naarooda unmaithannai
பாங்காக தொழிலோங்கும் மணமேகூடும்
paangaaka thozhiloangum manamaekoodum
பாலர்கட்கு ஞானமுடன் கல்வியோங்கும்
paalarkatku gnanamudan kalviyaongum
நீங்காத நோய்நீங்கும் பொருளுஞ் சேரும்
neengaatha noaineengum porulunj saerum
நினைந்தயெண்ணம் பலிக்குமயலுதவி தோன்றும்
ninainthayennam palikkumayaluthavi thoanrum
தீங்கினி நேராது செழித்துவாழ்வாய்
theengini naeraathu sezhiththuvaazhvaai
தினமெட்டி லிதின்விபரம் தெரிகுவாயே
thinameti lithinviparam therikuvaayae.

The number one outcome in aarooda indicates; relief from all pains and sorrows and also the flourishment of business. Those who are single may positively have a bright opportunity to get married. Students may get increased intellectual knowledge and good status in studies. Diseases will be cured and the lost things will be returned. All thoughts will become real and will get help from outside. There will not be anything pain hereafter and may live a prosperous life. You can see the changes within eight days from today.

௨. (02) வந்தால்.. (if 02 comes..)

வேலுண்டு வினையகலும் கஷ்டந்தீரும்
vaelundu vinaiyakalum kashtantheerum
விச்சித்ர மயிலுண்டு கவலை போகும்
vichithira mayilundu kavalai poakum
குழுமே செல்வமது தொழிலுமோங்கும்
kuzhumae selvamathu thozhilumoangum
ஷண்முகனி னருளாலே நலியும்நீயும்
shanmukani narulaalae naliyumneeyum
பாழான கேதுபத்து நாளிலப்பா
paazhaana kaethupaththu naalilappa
பதறாதேயுன்னை விட்டு விலகிப்போவான்
patharaathaeyunnai vittu vilakippoavaan
தாழாமல் வாழ்ந்திடுவாய் யதன்பின்னாலே
thaazhaamal vaaznthiduvaai yathanpinnaalae
தள்ளாதே யகஸ்தியனா ருரைத்தவாக்கே
thallaathae yakasthiyanaa ruraiththavaakkae.

The outcome number two indicates the blessing of lord Muruga and all happenings will be successfully accomplished without any breaks. All pains and sorrows will be eliminated due to gracious blessing from lord Muruga. Moreover, after the departure of kaethu, you will live very contended life. This is told by Agathiyar.

௩. (03) வந்தால்.. (if 03 comes..)

திரிபுரந்தனை யெரித்த தீனநாதன்
thiripuranthanai yeriththa theenanaathan
திருவருளா லுந்தனுக்கு
thiruvarulaa lunthanukku
பெரியோர் களுதவியுண்டு பெறுவாய்
periyoar kaluthaviyundu peruvaai
பெண்டுபிள்ளை குடும்பமுடன் பெருத்துவாழ்வாய்
pendupillai kudumpamudan peruththuvaazhvaai
பரிவான தொழில்முறையி லடைவாய்லாபம்
parivaana thozhilmuraiyi ladaivaailaapam
பாராளும் மன்னர்களால் பெருமையுண்டு
paaraalum mannarkalaal perumaiyundu
உரித்தான உந்தன்குல தெய்வந்தன்னை
uriththaana unthankula theivanthannai
உத்தமனே துதிசெய்தால் உசிதமாமே
uththamanae thuthiseithaal usithamaamae.

The outcome three indicates, there is no more sufferings due to the grace of lord Shiva. Your business will get flourished and will attain profit. You will get applaud from kings and will attain prosperity and happiness in every form. Pray your family deity to attain prosperity in everyday life.

௪. (04) வந்தால்.. (if 04 comes..)

அண்டமாகி ரண்டமதை யளந்தமாயன்
andamaaki randamathai yalanthamaayan
அருளாலே யுந்தனுக்கு அதிர்ஷ்டமுண்டு
arulaalae yunthanukku athirshtaamundu
விண்டிடுவார் புவிதனிலே விவேகியென்று
vindiduvaar puvithanilae vivaekiyenru
வேணபொருள் சேரும்புத்ர பாக்கியமுண்டு
vaenaporul saerumputhra paakkiyamundu
கண்டபடி கவனமதை செலுத்திடாதே
kandapadi kavanamathai seluththidathae
கவலையின்றி நினைத்தயெண்ணம் முடியுமப்பா
kavalaiyinri ninaiththayennam mudiyumappa
தொண்டனே பதினொன்று நாளே போனால்
thondanae pathinonru naalae poanaal
துணைபுரிவார் செங்கமல வண்ணன் தானே
thunaipurivaar sengamala vannan thaanae.

The outcome 5 shows the possibility of fortune due to blessings from Maayan (Lord Vishnu) who measured the world. The people in world will praise you as an intellectual person. Do not lose your focus and attention.  You will get what you desired. From the 11 thday from the day of seeing this aarooda, everything will be success with blessings from lord Vishnu.

௫. (05) வந்தால்.. (if 05 comes..)

பட்டதொரு துன்பமெலா மொழிந்துபோச்சு
pattathoru thunbamela mozhinthupoachu
பாலகனே குருதிசையு முதவியாச்சு
paalakanae kuruthisaiyu muthaviyaachu
விட்டதொரு தொழிலுனக்கு விர்த்தியாச்சு
vittathoru thozilunakku viruththiyaachu
வீட்டிலுள்ள கஷ்டமெல்லாம் விலகலாச்சு
veettilulla kashtamellam vilakalaachu
முட்டவே எண்ணமெல்லாம் முடிவதாச்சு
mutavae ennamellaam mudivathaachu
மூதோர்கள் பொருள்சேரும் காலமாச்சு
moothoarkal porulsaerum kaalamaachu
அட்டலக்குமி கடாட்சமது மிகவுண்டாச்சு
attalakkumi kadatchmathu mikavundaachu
அகஸ்தியர் சொல்லணுவளவும் பிசகிடாதே
Agasthiyar sollanuvalavum pisakidaathae.

The outcome 5 indicates the upcoming period of Guru. All your sorrows will be vanished and your business which in loss will start flourishing. Pain in family will be vanished and all desired thoughts will be occurred successfully. You will get your ancestors property. You will get the blessings of goddess Asta Lakshmi. Agathiyar words will not be wrong.

Interesting right!? Let us see the interpretation for the next 8 numbers.

Original – www.siththarkal.com
Translated by Lalithambika Rajasekaran


Aaroodam!... Agathiyar's Aaroodam!

Author: தோழி / Labels: ,

Aaroodam is an art of foretelling or prophecy. Already we have seen it in detail in the Agathiyar paaichigai aaroodam series in this blog. New readers can read, Paachigai Aaroodam, before continuing this one. 

In paaichigai aaroodam, the foretelling is made possible by throwing paaichigai and the report is given on the basis of outcome of the number. This method also uses number, however in unique method. Nowadays, we have seen many people foretelling with Agathiyar board. However, I am still unaware that, whether they are using this method for foretelling.

One yantra is necessary for this foretelling technique. One cannot use this without the 64 box yantra. Yantra should be made up of silver or copper plate and has its own restriction to use this yantra. Important among this is, one should not apply this technique in the absence of sunlight.

The structure of yantra is too simple. The yantra encloses 8X8 square boxes and filled merely with numbers. Those boxes were filled with numbers. This technique of aaroodam is not complex and hence easy to use. Anyone can use this technique to foretell and used for oneself or can be used for others too.

How to tell the future using this yantra?

First place this yantra before their favourite god and pray. Now, pray guru and think about the need for which we need solution and touch anyone of the number in yantra. Now note that number and read the poem given by Agathiyar for that number to see the future. How simple!
Anyone in need can use the same procedure to get solution. Ask them to pray their favourite god and make them to touch one number to see the result of their question. Some will ask to think a number in mind and by knowing the number, they will foretell acoordingly.

Ofcourse everything is okay! How to prepare this yantra?

Further information in upcoming posts

Original – www.siththarkal.com
Translated by Lalithambika Rajasekaran


Vasiyak kaappu!

Author: தோழி / Labels: ,

Vasiyak kaapu – Band, bangle, bracelet or ankelet used to do vasiyam 

We have already discussed more about vasiyam in older posts. Nowadays, many people were ready to give money to get the talisman, vasiyak kaapu etc. Regarding this type of vasiyam things, plenteous information are available in Siththars book and Malayala mantrika book. In that sense, Agathiyar has said about a vasiyak kaapu.

This information is taken from the book “Agathiyar 12000” written by Agathiyar.

ஆமென்ற வசியம் ஒன்று சொல்லக்கேளு
aamenra vasiyam onru sollakkaelu
ஆதிமுதலான கொடியறுகு வாங்கி
aathimuthalaana kodiyaruku vaangi
ஓமென்ற கண்டித்து மதுவில் போட்டு
omenra kandiththu mathuvil poattu
உரிமையுடன் மண்டலம் சென்றெடுத்துப்பாரு
urimaiyudan mandalam senreduththuppaaru
நாமென்ற நீரதுவும் நன்றாய்வற்றி
naamenra neerathuvum nanraaivatri
நடுவான கொடியதுவும் பதமாய் நிற்கும்
naduvaana kodiyathuvum pathamaai nirkum
தாமென்றதன் பதமாய் வந்த மூலம்
thaamenrathaan pathamaai vantha moolam
தருவான மூலமதின் தன்மைகேளே
tharuvaana moolamathin thanmaikaelae.

தன்மையுடைய வெள்ளியுடன் செம்பு சேர்த்து
thanmaiyudan velliyudan sembu saerthhtu
தருவான தங்கமது மூன்றும் ஒன்றாய்
tharuvaana thangamathu moonrum onraai
உண்மையுடன் தானுருக்கி தகடுதட்டி
unmaiyudan thaanurukki thakaduthatti
உறுதியுள்ள மூலமதை வைத்துருட்டி
uruthiyulla moolamathai vaiththurutti
செம்மைபெற ரவி வளையம் போலே செய்து
semmaipera ravi valaiyam poalae seithu
தெரியாமல் பொருந்தினவாய் சேர்த்துக்கொண்டு
theriyaamal porunthinavaai saerththukkondu
நன்மைபெற சற்குருவை தியானம் செய்து
nanmaipera sarkuruvai thiyaanam seithu
நலமாக ஞாயிறுமுன் வைத்துப் போற்றே
nalamaaga gnaayirumun vaiththup poatrae.

வைத்ததொரு ரவி வளையம் வளவு தன்னை
vaiththathoru ravi valaiyam valavu thannai
வலது கையில்தான் பூட்டி மனதாய் நின்றால்
valathu kaiyilthaan pootti manathaai ninraal
மைதொடுத்த விழியாளும் மன்னர்தானும்
maithoduththa vizhiyaalum mannarthaanum
மகத்தான மிருகம் முதல் வசியமாகும்
makaththaana mirukam muthal vasiyamaakum
மெய்த்ததொரு இம்முறைதான் அதீத வித்தை
meiththathoru immuraithaan atheetha viththai
வேதாந்த வேதியர்தான் சொன்ன மார்க்கம்
vethaantha vaethiyarthaan sonna maarkkam
உத்ததொரு வித்தைதனை உலகத்தோர்க்கு
uththathoru viththaithanai ulakaththoarkku
உரையாதே உரைத்ததினால் உறுதிபோமே
uraiyaathae uraiththathinaal uruthipoamae.

Take the chord of kodi arukampul along with its root and bend it as it form the shape of pranava mantra “OM” and immerse the chord in honey for the period of 48 days. After 48 days, every liquid will get dried up and that chord is in good bending state.

Now take and melt the equal quantity of gold, silver and copper and melt it to form a plate. Now place the chord of grass in that plate and role it up as it has structure of sun and join both the ends. Now place this metal round in good sunlight radiance and worship it.  

Now, one can wear this metal round (kaapu) in right hand. This will magnetize and charm the girls, king and even animals. This trick was disclosed by Lord Siva and one should not reveal this trick to common people. Agathiyar instructed not to tell this to common people, if told the trick will not work.

Original – www.siththarkal.com
Translated by Lalithambika Rajasekaran


How to sleep?

Author: தோழி / Labels: , ,

Sleeping is basically an essential thing for better human health. One third of a day, we people normally spent in sleeping. Even, nowadays science also imposes the necessity of deep sleep. Sleep gives rest and peace for body and mind.

Siththars gave plenteous information about sleep. Even though, it is an essential activity in human life,  sithars mainly denoted sleep as the focused mind and the relaxed body. It is the form of sleepless sleep. Pathirakiriyaar denoted this stage as follows:

ஆங்காரம் உள்ளடக்கி ஐம்புலனை சுட்டறுத்து
aangaaram ulladakki aimpulanai suttaruththu
தூங்காமல் தூங்கி சுகம் பெறுவது எக்காலம்? 
thoongaamal thoongi sukam peruvathu ekkaalam?

Sleepless sleep is the highest awaken state which is embedded with energy from cosmos. Moreover Siththars poem have a note that, breathe get wasted during our sleep. Agathiyar in one of his poem told that, one should not waste breathe during eating, intercourse and sleeping. The sleepless sleep told by Siththars is high blissful state and can be attained by any person with dedication and focus.

Siththars poem also has following quotes that, one should lessen their sleeping time even during the yoga practice. That too, sleep during day time is not entertained. How to sleep at night? Theriyar explained that trick in his book  “Maruthuva Kaaviyam” as follows:

பாரப்பா சிவயோகம் பண்ணும்பேர்க்கு
paarappaa sivayogam pannumpaerkku
பரிவாக நித்திரைதான் வேண்டாமப்பா
parivaaka niththirathaan vaendaamappaa
நேரப்பா ராக்கால நித்திரைதான்பண்ண
naerappaa raakkaala niththiraithaanpanna
நிலையாகச் சூட்சமொன்று நிகழ்த்துறேன்கேள்
nilayaagach sootchamonru nikazththuraenkael
வாரப்பா வரிசையாய்க் கால்தான்னீட்டி
vaarappa varisaiyaaik kaalthaanneeti
வகையாக நித்திரைதான் பண்ணவேண்டாம்
vakaiyaaka niththiraithaan pannavaendaam
ஓரப்பா ஒருபக்க மாகச்சாய்ந்து
oarappaa orupakka maakachaainthu
உத்தமனே மேற்கையை மேற்கொள்வாயே
uththamanae maerkaiyai maerkkolvaaye

கொள்ளப்பா ஒன்றின்மேல் சாய்ந்துகொண்டு
kollappaa onrinmael saainthukondu
குறிப்பா நித்திரை செய்துநீங்க
kurippaa nithhtirai seithuneenga
அள்ளப்பா அஷ்டாங்க யோகம்பாரு
allappaa ashtaanga yogampaaru
அப்பனே சிவயோகம் வாசியோகம்
appanae sivayogam vaasiyogam
நள்ளப்பா பிராணாய மவுனயோகம்
nallappaa piranaaya mounayogam
நலமான கவுனத்தின் யோகம்பாரு
nalamaana kavunaththin yogampaaru
வள்ளப்பா வாசியது கீழ்நோக்காது
vallapaa vaasiyathu keezhnoakkaathu
வகையாக மேனோக்கி யேறும்பாரே
vakaiyaaka maenoakki yaerumpaarae.

We should not sleep by keeping the body upward as we do normally. We should practice sleeping like by keeping the body sideways by keeping the hand underneath the head which makes the vaasi (breathe) to move upward and not downward. This sleeping practice helps to achieve the following easily; siva yoga, vaasi yoga, pranayama, mouna yoga, kevuna yoga. 

Readers may find a doubt that is this practice possible in this mechanical hasty world? Irrespective of discussing the possibility and impossibility of sleeping practice that is discussed above, this post generally aimed to put forth the information given by Siththars and ancestors to this generation.

Original – www.siththarkal.com
Translated by Lalithambika Rajasekaran


Permanent cure for thaemal!

Author: தோழி / Labels: ,

*Thaemal – small pale white patches on the skin; Tinea versicolor 

Today we are going to see about one medicinal tip for beauty care!

Irrespective of gender, both men and women were doing everything possible to have glowing skin. And with this attitude, different cosmetics are blooming in market and their manufacturers living a prosperous life.  Nowadays people were ignoring the easily available natural cosmetics whereas, they prefer the same thing if packaged in neat cover with high prices.

We generally refer the change of colour in skin as tinea versicolor which has numerous medical reasons behind it. Even though, tons of medicines available in allopathy, they are comparatively much costlier than Tamil Siddha medicine. It is termed as “hand cure” or “grannys cure” and everything is ignored and  left behind in last generation itself hence, no one have any knowledge on this.

The thaemal is termed as “Mangu” in Tamil and Siththar Theraiyar gave cure for this in one of his poem which is shown below:

கொள்ளவே யரிதாரப் பளிங்கு மாகுங்
kollavae yarithaarap palingu maakung
குறையாமல் பலமரைதான் நிறையோர் கட்டி
kuraiyaamal palamaraithaan niraiyoar katti
உள்ளவே நற்கோவை ரசத்தை வாங்கி
ullavae narkoavai rasaththai vaangi
உறவாக யிழைத்து வழித்தெடுத்துக் கொண்டு
uravaaka yizaiththu vaziththeduththu kondu
மெள்ளவே ஐந்திருநாள் யிருபோதுந் தான்
mellavae ainthirunaal yirupoathunthaan
விளங்கவே அடுத்தடுத்துப் பூசும்போது
vilangavae aduththaduththu poosumpoathu
துள்ளவே திருமுகத்தில் படரும் வங்கும்
thullavae thirumukaththil padarum vaangum
தொந்தித்து நில்லரிது துலைந்து போமே.
thonthiththu nillarithu thulainthu poamae.

This song is taken out from the book ‘Theraiyar Maruthuva Kaaviyam’. According to this song, this medicine will cure the tinea versicolor, marks and dots in skin.
.
Arithaaram* is a marble like stone or powder available in the general shop itself. Take half palam* of  solid arithaaram and grind nicely it with extract of ivy gourd. Then, apply this mixture daily two times on morning and evening continuously for 10 days on the affected part of the skin to get the clear and beautiful skin.

People with tinea vericolor can try it and suggest this remedy to anyone in need.

*Arithaaram – yellow orpiment
*Palam – 35 grams

Original – www.siththarkal.com
Translated by Lalithambika Rajasekaran


Human Anatomy in Siththars view - Continuation

Author: தோழி / Labels:

From the Siththars point of view, the first very exciting information about human anatomy is any human body when measuring from its own hand is of 8 span height and 6 span width and 96 virarkadai* of piramaanam. So far, none of the medicine has disclosed this information. 

Let us see the 20 types which, encloses 96 organs in human body.

Arivu  (1) - Intelligence

Iruvinai (2)  - Two actions
Nalvinai – Good deeds
Theevinai  -  Bad deeds
Moovaasaikal (3) – Three desires
Land
Gold
Women
Anthak karanangal (4) 
   Mind
   Intellectuality
   Psyche
   Pride
Panja bhoota (5)
    Prithivi- (earth - land - soil)
    Appu - (water - liquid - wet)
    Thaeyu - (flame - fire - heat)
    Vaayu - (flow - air – blowing)
    Aakaayam ( space - sky - atmosphere)
Panja gnaanaenthiriyangal (5)
    Body
    Mouth
    Eye
    Nose
    Ear
Panja karmaenthiriyangal (5) 
    Speech (Mouth)
    Gesture (Hand)
    Foot (Leg)
    Paayuru (Anus)
    Ubastham (Uterus)
Panja than maaththiraikal (5)
    Taste (Rasam)
    Light (Roopam)
    Ooru (Touch)
    Oasai (Sound)
    Naatram (Odour)
Panja koasangal (5)
    Annamaya koasam
    Piraanamaya koasam
    Manoamaya koasam
    Vingnaana maya koasam
    Aananthamaya koasam
Moonru mandalangal (3)
    Agni mandalam
    Surya mandalam
    Chandra mandalam
Kunangal – behavior (3)
 Rajo
 Thamasa
 Satvika
Malangal (3) - Unwanted things to be removed by a man
Aanavam (Arrogance)
Kanmam (Action)
Maayai (Illusion)
Pinikal (3) - Illness
 Vaatham (Paralysis)
 Piththam (Bile)
 Silaeththumam (Phlegm)
Aedanai (3)
 Loaka aedanai
 Arththa aedanai
 Puththira aedanai
Aatharangal (6) - Origin
  Muladhara
  Svadhishthana
  Manipura
  Anahata
  Vishuddha
  Ajna
Avasthaikal (5) - Dreadness
  Saakiram  (Reality)
  Soppanam (Dream)
  Suzuththi (Sleep)
  Thuriyam (Meditation)
  Thuriyaatheetham (Uyirppadakkam – Blissful state)
Thaathukkal (7) – (Minerals)
  Rasam (Liquid)
  Raththam (Blood)
  Maamisam (Muscle)
  Maethas
  Asththi
  Machai (Marrow)
  Sukkilam or Suroanitham (Sperm)
Raagangal (8)
    Kaamam (Lust)
    Kuroatham (Anger)
    Loapam (Miserliness)
    மோகம் (Sensuality)
    Matham (Pride)
    Maachariyam (Malice)
    Idambam (Pomp)
    Agangaaram (Ego)
Dasa nadis (10) – Ten principal nerves
    Idakalai – (Nerve of left side)
    Pingalai - (Nerve of right side)
    Suzhumunai - (Central nerve)
    Sikuvai - (Nerve of inner tongue)
    Purudan - (Nerve of right eye)
    Kaanthaari - (Nerve of left eye)
    Aththi – (Nerve of right ear)
    Alampudai - (Nerve of left ear)
    Sangini - (Nerve of uterus)
    Kuku- (Nerve of anus)
Dasa vayu
    Piraanan - Air needed for living
    Apaanan – Gas of excretion
    Viyaanan – Working gas
    Uthaanan – Gas of sound
    Samaanan – Levelling gas
    Naakan – Gas of eye
    Koorman – Gas of eyelid
    Kirukaran – Gas of cough/ sneezing
    Devathathan – Gas of yawning
    Dhananjayan – Gas of swelling

So far we have seen the 96 organs of Human anatomy. Later I will possibly write it in detail. 

And now stay tuned to see an exciting medicinal information in the next post!

*Virarkadai – a measure of length equals to a finger’s breadth

Original – www.siththarkal.com
Translated by Lalithambika Rajasekaran


Human Anatomy in Siththars view

Author: தோழி / Labels:

The main success of allopathy medicine alias English medicine gains its popularity due its enormous growth in the human anatomical scientific approach. Still, other medicinal treatments depend on the allopathy’s anatomical sciences for curing the disease. 

Anatomical science elaborately describes the structure of humans and animals and it is grouped into two types. The first type is called ‘macroscopic anatomy’, where the structure of the organs can be examined with the help of naked eye itself. And another type is called ‘microscopic anatomy’, where the structure of the parts is examined with the help of instrument called microscope. 

The information might be little bit elaborative, since it is my field. Cheers! Leaving the allopathy treatmet, other treatments has its own view towards human anatomy. In this sense, Siththars gave detailed lecture on human anatomy, even in the period of no scientific or technological development. Let us see, what Siththars discussed about our human anatomy.

Human body is made up of 96 organs bundled up together. Of course! Let us see what Thirumoolar told in this regard;

"பூதங்கள் ஐந்தும் பொறியவை ஐந்துளும்
poothangal ainthum poriyavai ainthulum
ஏதம் படஞ்செய்து இருந்து புறநிலை
aeetham padanjeythu irunthu puranilai
ஓதும் மலம்குணம் ஆகும்ஆ தாரமொடு
oathum malamkunam aakumaa thaaramodu
ஆதி அவத்தைக் கருவிதொண் ணூற்றாறே
aathi avaththaik karuvithon nootraarae”

- திருமூலர் (Thirumoolar)

The basic of the Siddha medicine is having the in depth knowledge on 96 organs. If we know the basic nature, function and the properties of those organs, we can understand the greatness of the Siddha medicine. Then we can use this medicine effectively.

These 96 organs were divided into 20 types. I have omitted the corresponding poems considering  the length of the post.

Let us see the 20 types below:

Arivu
Iruvinai
Moovaasai
Anthakaranangal
Pancha poothangal
Pancha gnanenthiriyangal
Pancha kanmenthiriyangal
Pancha thanmaathiraikal
Pancha koasangal
Moondru mandalangal
Kunangal
Malangal
Pinikal
Aedanai
Aathaarangal
Avasthaikal
Thaathukkal
Raagangal
Dasa naadigal
Dasa vaayukkal

The above 20 types has the 96 organs, which controls the function of the body. Any change in any one of the above leads to ill health.

Let us see the detailed information about such important 96 organs in the upcoming post.

Original – www.siththarkal.com
Translated by Lalithambika Rajasekaran


Treasure of Thirisangu Rajan

Author: தோழி / Labels:

From the ancient days itself, the culture of hiding the treasure below the statue and temple is followed in Tamilnadu. Still the culture continues by placing the navarathnam* in land before constructing a new building. 

In this series, now we are going to see about the king Thirisangu’s hidden treasure in Agathiyar’s words. This information is collected from Agathiyar 12000 book.

ஆமேதான் வனந்தன்னிலே கெருடரிடியார்தாமும்
aamethaan vananthannilae kerudaridiyaarthaamum
அங்ஙனமே யாசீர்மந் தன்னிலப்பா
angnganamae yaaseerman thannilappaa
தாமேதான் சீடவர்க்க மாயிரம்பேர்
thaamaethaan seedarvarkka maayirampaer
தாக்கான கூட்டமுடன் கொலுவிருப்பார்
thaakaana koottamudan koluviruppaar
நாமேதான் சொன்னபடி யாசீர்மத்தின்வடக்கே
naamaethaan sonnapadi yaaseermaththinvadakkae
நலமான கணபதி கோவிலுண்டு
nalamaana Ganapathy koavilundu
போமேதான் கோவிலின் கீழதாக
poamaethaan kovilin keezathaaka
பொங்கமுடன் கிடாரவைப்பு சொல்லக்கேளே
pongamudan kidaaravaippu sollakkaelu.

கேளப்பா திருசங்கு ராசன் வைத்த
kaelappaa thirusanguraasan vaiththa
கெடியான நவகோடி திரவியங்கள்
kediyaana navakoadi thiraviyangal
நாளப்பா வரைகோடி சென்றகாலம்
naalappaa varaikoadi senrakaalam
நாதாக்கள் முன்பாக வைத்தவைப்பு
naathaakkal munpaaka vaiththavaippu
மாளப்பா ராசனது தேகந்தானும்
maalappaa raasanathu thaekanthaanum
மண்மீதிற் சமாதியது பூணுமுன்னே
manmeethir samaathiyathu poonumunne
நீளப்பா வைத்ததொரு திரவியங்கள்
neelapaa vaiththathoru thiraviyangal
நீலணித்தில் கண்டவர்களில்லைதானே
neelaniththil kandavarkalillaithaane.

தானான திரவியங்களிருக்கும்ஸ்தானம்
thaanaana thiraviyangalirukkum sthaanam
தாக்கான கெருடரிடி யாச்சிரமபக்கம்
thaakaana kerudaridi yaachiramapakkam
கோனான கணபதியின் கோவிலின்
koanaana Ganapathiyin koavilin
காணாத நிலவறையில் வைத்ததாமே
kaanatha nilavaraiyil vaiththathaamae
தேனான திரவியங்க ளெடுப்பதற்கு
thaenaana thiraviyanga leduppatharkku
தெரியவே சூட்மசுமகணபதியின் பாதம்கீழே
theriyavae sootchumaganapathiyin paathamkeezhae
கோனா யெனதையர் சொன்னவாக்கு
koanaa yenathaiyar sonnavaakku
குவலயத்தில்பொய்யாது மெய்யதாமே
kuvalayaththil poyyaathu meyyathaame.

In the Karuda rishi forest, there is Karuda rishi ashram and he lives with his pupils there. To the north of his ashram, there lies temple of Lord Ganapathy under which plenteous treasure was kept.

Before attaining samadhi, king Thirisangu located all his navakodi treasure under Lord Gananpathy temple before Siththars. No one knows this treasure other than Siththars. One technique is there to open the treasure and the technique is under the feet of the Lord Ganapathy.

This information was given to Agathiyar by his guru and Agathiyar also approved the genuinity of information.

*Navarathnam – The nine gems or the precious stones, namely, sardonyx, sapphire, coral, emerald, ruby, pearl, topaz, cat’s-eye and diamond

Original – www.siththarkal.com
Translated by Lalithambika Rajasekaran


Kallazhagar’s Treasure

Author: தோழி / Labels:

The graceful Kallazhagar temple is situated in Azhagar Kovil near Madurai, Tamilnadu. This place is also referred as Thirumaalirunjoalai, Uthyaanasailam, Soalaimalai, Maalirunkundram, Irunkundram, Vanakiri, Azhakaapuri. Every year, Kallazhagar is the hero of second part of the Siththirai festival. The event of riding the golden horse by Lord Kallazhagar into river Vaigai is one the World famous festival. We can see the more interesting information about this ancient temple in internet.

Agathiyar told his student Pulathiyar as, this ancient and glory rich place hides treasure and inform him not to disclose this information. Since, this world is full of greedy and bad people, Agathiyar forbid his student to disclose the secret. After Pulathiyar, this information reaches us via their students.
Let us see the hidden information about treasure in Kallazhagar temple. The following poem is from Agathiyar 12000.

கண்டதோர் புலத்தியனே கவிவல்லோனே
kandathoar Pulaththiyanae kavivalvoanae
காவலனே கண்டமட்டும் சொல்லலாச்சு
kaavalanae kandamattum sollallaachchu
விண்டதோர் திரவியந்தான் கோடி செம்பொன்
vindathoar thiraviyanthaan koadi sempon
வித்தகனே கள்ளழக ரடிவாரத்தில்
viththakanae kallazhaka radivaaraththil
அண்டபா தாளமது வடிநூறப்பா
andapaa thaalamathu vadinoorappaa
அப்பனே மலைபோல குவித்தசெம்போன்
appanae malaipoala kuviththasempon
கண்டுமே கண்கொண்டு பாராமல்தான்
kandumae kankondu paaraamalthaan
காவலனே முழுமக்க ளிருந்திட்டாரே
kaavalane muzhumakka lirunthittaarae.

இருந்தாரே சூதுவிட மறியமாற்றான்
irunthaarae soothuvida mariyamaatraan
யெழிலான சித்தர்களுங் கவனியாமல்
yezhilaana siththarkalung kavaniyaamal
பொருந்தவே யவ்விடத்தில் பக்திகொண்டு
porunthavae yavvidaththil pakthikondu
பொங்கமுடன் நுழையாமல் விழலாய்ப்போனார்
pongamudan nuzhaiyaamal vizhalaaippoanar
திருந்த விதியாளி யிந்நூல்தன்னை
thiruntha vithiyaali yinnoolthannai
தீர்க்கமுடன் கண்டாலே விடுவானோபார்
theerkamudan kandaalae viduvaanoapaar
அருந்தமிழாம் பன்னீரா யிரந்தானப்பா
arunthamizhaam panneeraa yiranthaanappaa
அப்பனே விதியிருந்தால் கிட்டுந்தானே
appanae vithiyirunthaal kittunthaanae.

தானான புலத்தியனே தம்பிரானே
thaanaana Pulaththiyanae thambiraanae
தண்மையுள்ள தனமிருக்டகுந் தடமுங்காணார்
thanmaiyulla thanamirukdan thadamungaanaar
கோனான யெனதை ரசுவனியாந்தேவர்
koanaana yenathai rasuvaniyaanthevar
கொற்றவனா ரெந்தமக்கு யுரைத்தநீதி
kotravanaa renthamakku yuraiththaneethi
தேனான மனோன்மணியாள் சாட்சியாக
thaenaana manoanmaniyaal saatchiyaaka
தேற்றமுட னுந்தனுக்கா யுபதேசித்தேன்
thaetramuda nunthanukkaa yupathaesiththaen
மானான மகதேவ ரருளுங்கொண்டு
maanaana makadeva rarulungondu
மன்னவனே நிதியெடுக்கு முயலுவீரே
mannavane nithiyedukku muyaluveerae.

முயலவே யிம்மொழியை வெளிவிடாதே
muyalavae yimmozhiyai velividaathae
மூர்க்கமுள்ள வெகுமூடர் காமியுண்டு
moorkkamulla vekumoodar kaamiyundu
பயலான துட்டரென்னும் பசங்களப்பா
payalaana thuttarennum pasangalappaa
பாரினிலே கோடிசன மிகவேகாண்பீர்
paarinilae koadisana mikavaekaanpeer
கயவரா முலகுபதி யனேகமுண்ட
kayavaraa mulakupathi yanekamunda
காவலனே படுமோசக் காரப்பா
kaavalane padumoasak kaarappaa
நயமுடனே வஞ்சித்து சிநேகங்கொள்வார்
nayamudanae vanjiththu sinaekangolvaar
நம்பாதே படுக்காளி தூரத்தள்ளே
nambaathae padukkaali thooraththallae..

Agahiyar told the information with respect to what he had seen. Around 100ft down from the ground level of Kallalagar temple, millions of gold were kept hidden. None of the people were aware of it and also the Siththars who went to worship the lord also ignored that treasure.

Only the people linked with fate can get Agathiyar12000 book and if anyone got this book, they can know about the secret hidden places of treasure in Kallazhagar temple. One cannot even get a hint about treasure if they do not have full book.

Agathiyar gave permission as, ‘With goddess Manoanmani as evidence, I will tell you what, Ashwini thevar told me. Only if you are really in need of money, you can go and take only the necessary amount of fortune.”

Original – www.siththarkal.com
Translated by Lalithambika Rajasekaran


Treasure in Srirangam..

Author: தோழி / Labels:

“Ranganathar temple” is situated in the island formed by river Cauvery in the Chola’s territory. Nowadays, the place is called as Srirangam, Thiruvarangam etc., this temples has its own ancient glory and built by various kings. The history behind this temple is very ancient and met with many wars and wrecks.

Even though we have heard much information concerning the treasure in this temple today, we are going to see about the information quoted in the following poem from Agathiyar 12000 given by Agathiyar to his student Pulathiyar.

ஏகவே யினன்மொரு மர்மங்கூர்வேன்
aekavae yinanmoru marmangooruvaen
னெழிலான புலத்தியனே தம்பிரானே
nezhilaana Pulaththiyanae thambiraanae
சாகவே நெடுங்காலந் தன்னிலப்பா
saakavae nedungkaalan thannilappa
சட்டமுட னரசுமகா செய்யுங்காலம்
sattamuda narasumakaa seyyungaalam
ஆகமத்தின் படியாக நேமஸ்தானம்
aakamaththin padiyaaka naemasthaanam
அப்பனே தானமைத்தார் சிற்பிமாணபர்
appanae thaanamaiththaar sirpimaanapar
பாகமுடன் விதிபாடு முறைமையாக
paakamudan vithipaadu muraimaiyaaka
பாவித்த ஸ்ரீரங்கரருள் பாலித்தாரே.
paaviththa srirangararul paaliththaarae.

பாலிக்க சதுர்முகமாங் கோயிலப்பா
paalikka sathurmukamaang koayilappaa
பாங்கான வறுகோண நிலவறையுமாகும்
paangaana varukona nilavariyumaakum
வேலியா மைவேலி நிலமுமாகும்
vaeliyaa maivaeli nilamumaakum
வேதாந்தர் தாயினது மாளியாகும்
vaethaanthar thaayinathu maaliyaakum
சாலியா மூலவர்கள் சிலைகள்தோறும்
saaliyaa moolavarkal silaikalthoarum
சாங்கமுடன் சிலைகள்தோறும்
saangamudan silaikalthoarum
கோலியே பாதாளம் குழிபறித்து
koaliyae paathalam kuzhipariththu
கொற்றவனே தானமைத்த கதைதான்கேளே.
kotravanae thaanamiththa kathaithaankaelae.

கேளப்பா மூலவர் ரங்கநாயகன்
kaelappa moolavar ranganaayakan
கெணிதமுள்ள சிலையதுவு மடிவாரத்தில்
kenithamulla silaiyathuvu madivaaraththil
தாளவே நிதிகளப்பா குறுணியாஷ்ட்டம்
thaalavae nithikalappaa kuruniyaashttam
தாக்கான செம்பொன்னாம் விராகனாகும்
thaakkaana sembonnaam viraakanaakum
நீளவே கொட்டியல்லோ சமாதிசெய்து
neelavae kottiyalloo samaathiseithu
நிட்களங்க மாகவல்லோ ரங்கர் தம்மை
nitkalanga maakavalloo rangar thammai
மீளவே சமாதியது மிகவாய்ச்செய்து
meelavae samaathiyathu mikavaaichseithu
மிக்கவுமே கற்சிலையும் செய்திட்டாரே.
mikkavumae karsilaiyum seithittaarae.

இட்டாரே ரங்கருமே தேவஸ்தான
ittaarae rangarum thaevasthaana
மெழிலுடனே நெடுங்கால மிருப்பார்தாமும்
meziludanae nedungaala miruppaarthaamum
சட்டமுட னொவ்வொரு சிலையின்கீழே
sattamuda novvoru silaiyinkeezhae
சாங்கமுடன் திரவியங்கள் லக்கோயில்லை
saangamudan thiraviyangal lakkoayillai
திட்டமுடன் மகாநிதிகள் சொல்வதற்கு
thittamudan mahaanathikal solvatharkku
தீர்க்கமுடன் யாராலு முடியாதப்பா
theerkamudan yaaralu mudiyaathappaa
விட்டகுறை யிருந்ததுவு மெய்யேயானால்
vittakurai yirunthathuvu meyyeyaanaal
வீறுடனே தரிசனைக்கு வாளாவாரே.
veerudanae tharisanaikku vaalaavaarae.

ஆவாரே யின்னமோர் மார்க்கங்கூர்வேன்
aavarae yinnamoar maarkkangoorvaen
அப்பனே புலத்தியனே அன்புள்ளானே
appanae Pulathhtiyanae anpullaanae
தாவான மண்டபங்கள் தடாகங்களப்பா
thaavaana mandapangal thadaakangalappa
தகைமையுடன் கோபுரங்கள் மாபுரங்கள்
thakaimaiyudan koapurangal maapurangal
சதுருடனே நிதியனைத்தும் கீழேஅடைத்து
sathurudanae nithiyanaiththum keezhae adaiththu
சாவாம லிருப்பதங்கு முன்னதாக
saavaama liruppathangu munnathaaka
சமர்செய்யவே போவதற்கு முன்னதாய்
samarseyyavae poavatharkku munnathaai
சோழராஜன் செலுத்திவிட்ட நிதியுமாமே.
soazharaajan seluthhtivitta nithiyumaamae.

The Chola kings built this temple during their long ruling period with the help of many sculptors. They built the temple in square shape and under that they built cellar with six face polygonal rooms. Agathiyar told his student, “Below the principal god of the temple, I will tell you what they have placed”.

They digged out a hole below the principal god and they placed Kuruniyaashtaka treasure and superior quality gold and then closed this hole with a wall. Above that, they placed the principal god Ranganathar statue.
Agathiyar told that, Ranganathar will remain there elegantly for long period. Moreover, no one can estimate the treasure and fortune hidden under each stature and the sculpture there.

More things were hidden under the gopuram (tower), mandapam (large hall) and pools and temple was built over these valuable things. He also was explaining the fact behind these hidden treasures. All these were placed by Chola kings before they went and died in battle field. 

Interesting information right!!

Let us see the interesting information about the Kallazhagar temple, a Vainava temple, in the upcoming post.

Original – www.siththarkal.com
Translated by Lalithambika Rajasekaran


Treasure – Fortune – Siththars notes

Author: தோழி / Labels:

Three years back, we all were excited and talking about the treasure taken out from the Padmanaba Sswami temple of Trivandrum, Kerala. Considering this as the chance, many people put forth their idea of locating the treasure in temples of Tamil nadu also.

Is there any treasure in temples of Tamilnadu? May or may not be present right! However, the mere thought of treasure itself induce our excitation. That too, finding the hidden treasure of our ancestor is really an adventurous one right?

In the olden days, Saiva and Vainava are the two glorious religion spreaded all over Tamilnadu. However, Jainism and Buddhism formed in between and faded away. The rise and fall of one religion mainly depends upon the ruling kings of that period. Even, kings show their power and prestigious pride in building temples. In this sense, we can see the comparatively big temples were built by son to overcome their father’s glory.

Even, kings hide their valuable treasure in the underground room in temple during the war period and the king who won the war, will search for treasure in temples and ravage it. With the joy of having ravaged treasure, the culture of presenting his own treasure to that temple itself is commonly practiced.

As the locations of those treasures were kept secret, it becomes hidden and forgotten as time passes. However, merely hearing the story of treasure which is under the security of bootham* may be interesting leaving the truth behind.

Now a days, we decoded the information regarding the treasure through the palm leaves (suvadi) and the sculptures, unfortunately no one is interested to verify this. The treasure taken out from the “Padmanaba Swami temple ” is also decoded form the books. Similarly, everyone started out with their guesses and evidences of treasure location in Tamilnadu. As a result, rather than the glory of god, interest on hidden treasure becomes predominant among the people..

The famous archaeologist from Tamilnadu, Kudavaayil Balasubramaniyan, sent his guess and idea regarding the treasure location. In particular he  quoted Thiruvaaroor Thiyagaraja Swamy temple and Srirangam Aranganaathar temple, with respect to his archaeological evidences,. He also enclosed the evidences in his writings to government and the verification of these evidences is in hand of the government.

Readers may get the doubt regarding the relevancy of this blog and treasure locating things. Right?

Of course there is relevance!

Siththar Agathiyar also quoted the location of treasure in Srirangam Ranganathar temple in his poem and the relevant information is likely to be discussed in the upcoming post.

Will catch you up in the next post. Stay tuned!

*Bootham – goblin, demon, a malignant spirit described as dwarfish with huge pot-belly and very small legs

Original – www.siththarkal.com
Translated by Lalithambika Rajasekaran


Some explanations on Navapaashaanam..

Author: தோழி / Labels: , ,

The treasure taken out from the “Padmanaba swami temple” of Trivandrum, Kerala has gained the attention of over all people from the World. However, similar information is available in Siththar’s poems too, which I palnned to share from today.

 But...

Thiru. Vaanavan yogi putforth his adimration as well as criticization on the original Tamil post concerning Pancha Paashaana Lingam. Although, I answered him in that comment column itself, I thought it is necessary to give clarification in this regard with respect to his certain criticized comments.

He stated that, “only the ignorant fellows will tell that, Nava Baashaanam is combination of nine  paashaanam” in the comment column.

Despite of the pandits knowledge of Nava Paashaanam, let us see the enlightening view of Siththars, who born among the normal people and attained this eternal state. All the information shared here are collected from following books; Bogar Nikandu, Bogar Vaithiya Kaaviyam, Bogar 7000 and Pulipaani Poojavithi 116.

In the following poem, Bogar stated the reason of Nava Paashaanam making to his student Pulipaani Siththar;

மண்ணான தேகமது இருந்துமென்ன
mannaana thaekamathu irunthumenna
மகிதலத்தில் நெடுங்காலம் வாழ்ந்துமென்ன
makithalaththil nedungaalam vaaznthumenna
வண்ணமுடன் கலியுகத்தில் அனியாயங்கள்
vannamudan kaliyukaththil aniyaayangal
வாகுடனே சதாகாலம் நடக்கும்பாரு
vaakudanae sathaakaalam nadakkumpaaru
நடக்கவே கலியுகத்தார் பிழைக்கவேண்டி
nadakkavae kaliyukaththaar pizaikkavaendi
நாமான மனோன்மணியாள் கிருபையாலே
naamaana manoanmaniyaal kirupaiyaalae
உள்ளபடி பாடாணம் ஒன்பதும்தான்
ullapadi paadaanam onpathumthaan
உருக்கிச் சாய்த்தேன் சிலையாய்தானே
urukkich saaiththaen silaiyaaiththaanae.

- போகர் (Bogar)

As, most of the happenings are going to be impious in this Kali yugam, and it is no use for human body to live long in the Earth. Bogar prepared statue made up of nine baashaanam with the blessing from goddess Manoanmani, for the survival of people.  Here, the specified nine paashaanam referring to what? I left it to reader’s view.

Let us see the another poem of Pulipaani Siththar:

பாரப்பா மலையதுவின் உச்சியிலே
paarappaa malaiyathuvin uchchiyilae
பாங்கான போகருட சமாதியருகே
paangaana Bogaruda samaathiyarukae
கட்டான பாடாணவகை எட்டுடனொன்று
kattaana paadaanavakai ettudanonru
காணவே சேர்த்துவார்த்த சிலைதானும்
kaanavae saerththuvaartha silaithaaanum
நண்ணவே பிரதிட்டைதான் செய்து
nannavae pirathittaithaan seithu
நவிலுவேன் பூசைசோ டசமுஞ்செய்ய
naviluvaen poosaisoae dasamunjeyya
ஆற்றினேன் பூசைவிதிகள் தானும்
aatrinaen poosaivithikal thaanum
ஆரப்பா அறிவார்க ளாருமில்லை.
aarappaa arivaarka laarumillai.

- புலிப்பாணிச் சித்தர் ( Pulippaani Siththar)

Pulipaani says that the statue made up combination of eight paashanam and one other form is positioned nearby the Bogar samadhi on the tip of hill. And he continues that no one is capable of performing pooja for that statue and henceforth Pulipaani sithar sharing information regarding the pooja procedure and rules to perform it. Here, the specified nine paashaanam refers to what? I left it to reader’s view.

Let us see the another poem given by Bogar; 

"பாங்கான பாடாணம் ஒன்பதினும்
paangaana paadaanam onpathinum
பரிவான விபரம்தான் சொல்லக் கேளு
parivaana viparamthaan sollak kaelu
கௌரி கெந்திச்சீலைமால் தேவி
gowri kenthicheelaimaal devi
கொடு வீரம்கச்சால் வெள்ளை
kodu veeramkachhaal vellai
பகர்கின்ற தொட்டினொடு சூதம்சங்கு
pakarkinra thottinodu soothamsangu
பூரணமாய் நிறைந்த சிவசக்தி
pooranamaai niraintha sivasakthi
நலமான மனோம்மணி கடாட்சதாலே
nalamaana manoanmani kadaatchaththaalae
நண்ணிநீ ஒன்பதையும் கட்டுகட்டு
nanninee onpathaiyum kattukattu”

- போகர்  (Bogar)

Bogar listed the nine paashaanam as gowri paashaanam, kenthakap paashaanam, seelaip paashaanam, veerap paashaanam, kachaalap paashaanam, vellaip paashaanm, thottip paashaanam, soothap paashaanam, sangup paashaanam and one should bundle up the combination of above nine with the blessings and permission from the Siva Sakthi and goddess Manoanmani. How to call the above nine combiantion? I left it to your choice.

Still I can show some poems as example. However, this post is just the outcome of the commented statement “ignorant people” and nothing beyond that. Kindly do not misunderstand the post.

Further, I would like to thank Thiru. Vaanavan yogi for making this chance to verify about paashanams and I dedicate this post to him.

Original – www.siththarkal.com
Translated by Lalithambika Rajasekaran


Pancha Paashana Lingam

Author: தோழி / Labels: ,

In the previous post, we have seen the purification process of paashaanam. As this is the tedious stage and one can easily proceed with the further steps if succeeded in this purification process. However, the major loss in weight of each paashaanam during purification cannot be controlled. As the total weight before purification is 500 grams where, the total weight comes around 300 grams after purification which is further used for bundling process.

Now the next step is obtaining kuzhambu* from the purified baashaanam. Modern chemistry gives two ways for liquefying the solid substance. One is melting and another one is dissolving the solid in liquid medium to obtain solution.

While Bogar quoted the following method to obtain the solution from paashaanam;

"கண்டுபார் பாடாணக் குழம்பதனை
kandupaar paadaanak kuzhampathanai
கனமான சதுரக்கள் ளிப்பாலிற்போட்டு
kanamaana sathurakkal lippaalirpoattu
விண்டுபார் சாமந்தான் மூடிவைக்க
vindupaar saamanthaan moodivaikka
விடுபட்ட சுத்தசலம் போலேயாகும்
vidupatta suththasalam poalaeyaakum
கொண்டுபார் சிறப்பான பாடாணந்தான்
kondupaar sirappaana paadaananthaan
கொடிதான அயச்சட்டிக் குள்ளேவைத்து
kodithaana ayachchattik kullaevaiththu
மண்டுபார் நாற்சாமம் சுருக்குப்போட
mandupaar naarsaamam surukkuppoada
மகத்தான பாடாணம் குழம்பாமே.
makaththaana paadaanam kuzhambaamae."

- போகர் (Bogar)

Placing the paashaanam in the square cactus milk and place it for a saamam* by closing it resulting in the liquefied paashaanam. Then, it is placed in iron container and by condensing it for 4 saamam. Finally, we will get the desired solution of paashaanam. 

I adopted above method to get the solution of 5 paashaanam individually. Then, after measuring the accurate weight, I took the equal amount in every 5 to get the desired solution kuzhambu.

Now the final process is pouring the solution in structured mould. I bought this mould from chetti street in Colombo - 11. It happened to be lot and lots of divine moulds there, for which I confused and finally bought mould of lord Shiva in linga form.

As I poured the mixture solution in mould and place it in sunlight (Surya pudam), it get hardened. Finally, the “Pancha Paashaana Lingam” is ready and can be seen in the below picture, which took 2 months to prepare. Eventhough the size is small; it contains unbounded glory with in it.


It can be placed in home for worshipping. However, if prepared in big size, it can be used in temple. Even though most of our temples principal statues are of this paashaana type, but the forgotten or hidden information fades the glory of the temples.

The belief of obtaining cure on worshipping specific lord in specific place is all due to this type of statues. The information like abisheka water, milk from the principal statue can cure the disease gets modified over time and becomes the culture and tradition nowadays which are also fading gradually.

In that series, we can worship the above “Pancha Paashaana Lingam” and can perform abishekam daily. Uroma rishi told that, the continuous intake of abisheka water stables the paralysis, bile and phlegm as it has plenteous medicinal property, there will not be occurrence of any disease and can live long.

Irrespective of gender, it can be worshipped by both male and female. Bogar told that,  placing the statue in pure and neat place and by chanting the mantra “Om Namasivaaya” , results in mind peace and focus.

*Saamam – 3 hours especially at midnight
*Kuzhambu – the liquid of thick consistency (such as sandal paste)

Original – www.siththarkal.com
Translated by Lalithambika Rajasekaran


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